I like this movie and it's funny to watch, good acting and well developed characters. But when the movie ends, you feel that some things are not resolved. It ends and that's all.
Most films that score high on my personal rating system include a moment where I'm compelled to pay attention. A moment where I say, "I'm in, let's go". One of the first scenes in Minari is of Jacob telling his young son that a man needs to find his place in the world where he can be useful. This is said as they watch the ashes of young roosters rising from an incinerator at a chicken farm. "I'm in."Minari told a story I hadn't heard before. This is likely because it was written and directed by Lee Isaac Chung, whose own life was loosely portrayed in David- the young boy who watched the chickens burn with his dad. It's a story about a young Korean family who moves to Arkansas to start over. After a bumpy start, Grandma moves in. I won't say anything more about the plot, as not to spoil its uniqueness. More than most films about the American immigrant experience, this story is not just about the resilience of the immigrant, but the resilience of family. This is shown through its titular image, the Korean herb minari, an herb that is distinctly Korean and is able to thrive wherever it is planted.It's an immigrant story through and through. I was excited to see that the film was done mostly in Korean, with only maybe 25% in English, further challenging western audiences to explore non-English films. The score, composed by Emile Mosseri (the same guy who composed the heartbreaking score for The Last Black Man in San Fransisco) captured this same theme with skill. The score was incredibly stylized, featuring an unmistakably western and eastern blend of musicality that I had never heard before. The music in Minari was a feature in itself, adding its own feeling to the story that could not be expressed in a screenplay alone. The screenplay, by the way, was a masterpiece that worked seamlessly with the score.Perhaps my favorite part of the film was that I had no idea where it was going, and that's a good thing. I was able to pick up on key themes of the story, but not once did I find myself waiting for the next checkpoint of a cookie cutter narrative. Nor did I feel lost at any point. Rather, Chung had early on in the film earned my trust as a story teller.Of all of the performances in the film, the standout was Yuh-Jung Youn who played Soonja the Grandmother. This is certainly the kind of performance I would anticipate being nominated for an Oscar. Hopefully we won't see another snub like we saw with Shuzhen Zhao last year in The Farewell. What made her performance so memorable was that most of her screen time was opposite seven-year-old Alan Kim. Kim was another of the brightest spots in the film. When the movie opened on Kim in the back seat of the car, the audience response was immediate affection. Kim was a natural. Stephen Yeun and Yeri Han also gave outstanding performances, making this one of the strongest cast ensembles I've seen in a very long time.I hope Minari goes on to receive the critical attention it deserves, after winning the two biggest awards at Sundance. I'll be campaigning for it all the way up to award season next year.
Minari brings us into the lives of a Korean family living in Arkansas. They live a simple life, but are faced with all the challenges that come with trying to live a simple life. The screenplay and performance of the cast fill this movie with emotion. But it's hardly ever anything grand or amazing. The film reminds us of the importance of our family, hard work, and faith. All this with a great score make it a delightful viewing.
Well, I won't write a bunch, the movie is pretty good. It has a really really slow pace, so that might be a problem to some. The story takes its time, and over all, it's a movie were the cinematography stands out, the image on screen is always impactful in some way.The acting is great, all of the cast really, even the kids, I think did an awesome job, and they are just immersed in the characters. The story is touching, and you can relate to most of the characters. The grandma and the kid's relationship are probably the one that evolves the most throughout. The kid actually is the heart and soul of the movie, and he manages to emote a lot, even without speaking much.There isn't much else to say I think, I believe the story has some rhymes withing itself, for sure, that I probably haven't realized because I only saw the movie once.To sum up, the movie is good, the acting is great, and the cinematography is gorgeous, it just feels a lot longer than it actually is.7,5/10
This will be a film talked about for a long time. The story is very powerful portrayed by fantastic acting. I could tell this story was written from the heart and was made with lots of passion. It was very easy to connect with many of the characters.No major negatives, which means everybody needs to see this film.
Slice of life movie from A24. Very Nice!Although Korean Immigrant family story, it is universal.Even in 1980s a small farmer have to struggle make ends meet and no rewards after so much labor. There is a reference in movie of how old owner of farm blew his brains out. Too real in 3rd world countries like India where on average 20000 farmer do same every yearGrandma should be nominated for Oscar. Very Nice.
This movie was a general let down.
It wasn't bad by any means, but it certainly wasn't a great movie. I found it to drag on and on.
The acting was fine but there just wasn't much of a story. Very slow progression to really result in not much at all throughout the movie.At the end, like, sure something happened but it just felt cheap and unrelated to the character progression we had seen.
I am not with the other reviewers who have rated it 9 or 10, but I'm not going to try to claim this movie was a 1, 2 or 3.
In summary it's a very average film that I just didn't find interesting. Probably wouldn't recommend it.
I'd say that I had relatively good expectations for this film. It was a let down.
The main reason is because the film was just so boring. I think this is probably because it didn't make me really care for many of the characters in the film.
However, I at least cared about Steven Yuen's character's ambitions, which is something I can't say about the other characters.
I'd say that the acting was good but not Oscar worthy and the directing was nothing to special. But the boring script is the main reason I didn't enjoy this film like I thought I would've.
A Korean family of 4 moving to rural Arkansas to fulfil the wish of the stubborn father to becoming a farmer during the 80's.
The film is beautifully made with good acting from most of the actors, young and old.
I suppose there's only so much autobiographical story to tell about the farmer father and the struggling mother so the large portion of the film focuses on the two children and their visiting maternal grandmother.
A well executed two hour family movie but failed to leave much impression to this viewer.