The World's End Poster

The World's End (2013)

Action | SciFi 
Rayting:   7.0/10 261256 votes
Country: UK | USA
Language: English

Five friends who reunite in an attempt to top their epic pub crawl from twenty years earlier unwittingly become humanity's only hope for survival.

Movie Trailer

User Reviews

pyrocitor 1 January 2016

The Smashing Pumpkins may have mused that 'The End is the Beginning is the End,' but Edgar Wright knew better. He knew that for his beloved 'Cornetto Trilogy,' he would need an ending that could somehow tie up all of its strains of manic, voracious genre pastiche, savage wit and silliness, and, most importantly, its symphony to the reluctant aging of the schlubby, post- Shaun adult male. He knew he needed to do something special.

So, in the words of Shaun, "what do you mean, DO something?" Well, getting the old gang together for a nostalgia-fuelled 'one last job' pub crawl, charged with more emotional weight and subtext than meets the eye should about do it. In this regard, Cornetto #3 is by far the most personal, mature, reflective, bittersweet and cognizant film in Wright's oeuvre. It knowingly winks at his past works (don't forget to say hi to Brian, Marsha, and Tires, listen for the fruit machine, and enjoy an appropriately sly Cornetto cameo), while introducing some of his most hysterically snappy wordplay yet ("maybe it's a windoor...!"). And, as no Wright film could ever be that straightforward, it's also, naturally, about the end of the world. Duh.

To some, The World's End will be a cracking sci-fi pastiche - Invasion of the Body Snatchers handled with the chilly British terseness of The Day of the Triffids. To others, it's a riotous, boozy action-comedy with a kickass set of tunes, and prime viewing before hitting the pub (or several) with your mates. All of these things are true. But for me, it will always be a film about growing up. A film about finding closure, and purpose. A film about coming home and moving on at once. A film encouraging the Gary King in all of us to make peace with friends, the past, the future, and ourselves. It's the perfect filmic encapsulation of playing James Bond video games in my adolescent basement. And it's a film about pursuing your dreams, even - nay, especially - if your dreams are pointless, idiotic, and involve a sh*t-ton of drinking.

Things get going at an almost ponderously slow and repetitive pace, forcing the viewer to be bludgeoned by Gary King, alongside his estranged high school buddies, into going on his quest with him. The tone is fun, but with a bit of an edge, Pegg bravely playing obnoxious at full tilt, keeping it unclear as to whether you can or should like him. But, upon arriving in the impossibly quaint Newton Haven (and here Wright coins the most on-the-nose term for cultural assimilation and the dearth of family-run local business: "Starbucking". Remember that theme; it'll come in handy later), things pick up, and then some. Here, King's raucous enthusiasm becomes almost worrisome, especially in contrast with his bemused buddies, all more content to act their ages. Thankfully, the sci-fi framework comes to the rescue right when King is on the cusp of having to be serious. The solution, like fellow extraterrestrial alcoholicomedy Grabbers? Keep drinking - to "blend in", of course. And, as the Doors kick in, that's where the fun really begins.

Wright's characteristic swish-pans and dynamic sound effects, paired with some of the most intricately crunchy fight choreography seen in ages make The World's End thrilling in the most visceral sense. There's no purer cinematic joy than a long-take tracking shot of Pegg weaving in and out of a chaotic robot throwdown, stepping on bar stools and counter tops, sipping his pint and th

ikiru71-220-566499 25 August 2013

If you seen the other two movies in the so-called Cornetto Trilogy ("Shaun of the Dead" & "Hot Fuzz") then you already know what to expect from "The World's End". Like the others it is funny and full of unexpected and crazy twists and turns. The story follows five friends who decide to reunite and finish the pub crawl they were not able to complete 20 years ago. Everything is going fine and then all hell breaks loose. You know you're probably in for a wild and fun ride and that is exactly what you get. Simon Pegg and Nick Frost kind of switch roles from their previous movies, Frost is the one that has it together and Pegg doesn't. It works well and they still maintain their great humor and wit. The supporting cast is equally funny with Eddie Marsan being a highlight. The movie if full of great one liners and some absolutely hilarious moment. If you liked "Shaun of the Dead" and "Hot Fuzz" or if you just like wild and fun movies then you'll like "The World's End". It is funny, clever, and a hell of a ride.

nesfilmreviews 23 August 2013

The movie-making team of Simon Pegg, Nick Frost, and Edgar Wright has been one of the biggest success stories of British cinema of the past decade. With "Shaun of the Dead" (2004) and "Hot Fuzz" (2007), the trio demonstrated originality, ingenuity, and most significantly, capable of drawing a large, appreciative audience. Now they're back with the long-awaited third movie of what's become unofficially known as the "Cornetto trilogy." Like it's predecessors, director Edgar Wright loves paying homage to American cinema; "Shaun" pays its respects to George Romero, "Fuzz" nods its head to over the top action, buddy flicks, and "World's End" takes a page from our classic American sci-fi films.

In "The World's End," 20 years after attempting an epic pub-crawl, five childhood friends reunite when one of them becomes hell-bent on trying the drinking marathon once again. Once convinced to stage an encore by Gary King (Simon Pegg), a 40-year- old man trapped in the mindset of his mid 20's, drags his reluctant friends back to their hometown, and once again attempt to reach the fabled pub - The World's End.

"The World's End" plays on the notion that any time you return to your old stomping grounds, changes are inevitable. Upon returning to their small town roots—a place so boring it boasts about having the first roundabout in all of England—the crew notices that things are a little strange. As it turns out, the town residents are now blue- blooded alien robots. Pretty soon, the group of friends find they are not only fighting to recapture who they once were, but to preserve who they are.

"The World's End" follows similar thematic and structural paths as the other films in the trilogy. While it is definitely intended as a satirical spoof on one level, it also works just as well as a fully functional sci-fi story. You have elements of body snatching, invasions, and more than a few overt nods to John Carpenter's classic "They Live" (1998), in the way the aliens integrate into their society and take over. It's satire in such a loving fashion that it comes across as infectiously charming.

If there is anything to criticize here, maybe it's that the genre is a bit more skewered and less defined than in its predecessors. However, "The World's End" does cap an unofficial trilogy, and the grievance is overly critical given the nature of the movies. Long-time fans of the trilogy will appreciate the reversal of roles, casting Pegg as the selfish screw-up, and Frost as the one who has it together. This allows Pegg to fully unleash his gift for gab, and for Frost to show off his considerable skill for physical comedy.

With great gags, better fights, and fan pleasing cameos, "The World's End" is exactly the sort of British-accented, genre-blending pleasure we've come to expect from its creative trio, and we can only anticipate to what the future holds.

asda-man 26 August 2013

Shaun of the Dead and Hot Fuzz are two of the best British comedies ever made. Shaun of the Dead is obviously the best (although I may be biased due to being a horror hound) but Hot Fuzz is also brilliantly funny with a clever screenplay full of colourful and memorable characters. So you can imagine my excitement when The World's End was announced. And it top it off the final instalment of a consistently hilarious trilogy didn't disappoint. The World's End doesn't quite reach the heights of Shaun of the Dead, but I'd probably put it on par with Hot Fuzz. There is no greater mixture than Edgar Wright, Simon Pegg, Nick Frost and Cornetto. It wins every time!

You know you're in safe hands as soon as the film begins. The same snappy editing and pastiche graces the screen as we're introduced to the characters we're going to be spending the rest of the film with through a flashback. It's a great comic sequence looking back at youth. Of course immature alcoholic, Simon Pegg wants to recreate the pub crawl he and his friends did. Trouble is they're all grown up with families and careers under their belt. Somehow they all end up going on the pub crawl and constant hilarity is assured. I would've been perfectly happy with this film without the aliens, because even when they're not there in the opening of the film it is still constantly entertaining with hilarious lines and great characterisation.

Once the aliens come into play the film becomes something more. I loved the scene where we first see them in the pub toilet. It's both hilarious and thrilling to see everyone do battle with mannequin-like creatures with bright blue blood squirting out. These action sequences are actually really well shot too. It normally annoys me when action sequences are shot too close, but here it worked thanks to the lack of quick cutting. It also emulated the claustrophobia of fighting so many aliens in such a closed environment. I loved how the film got progressively weirder as it went on, almost mimicking what it feels like to get more and more drunk. One could even say that the whole film is just in the drink-sizzled heads' of the protagonists'?

The characters are developed more and more as the film goes on. Towards the end there were even quite a few surprisingly emotional moments that worked really well. It's fantastic when you can really feel for the characters because they are so likable. I also liked the whole element of not knowing who had been replaced by an alien, like in The Thing. I even think that this idea could've been utilised more to get a feeling of paranoia, but it's no huge deal. The World's End is also never boring thanks to its fast pace and unpredictability. There's no way to predict what's going to happen next, because there are so many secrets to uncover. It almost reminded me of The Cabin in the Woods in the way it got crazier as it went on and all the more unpredictable for it.

It's sad that the trilogy is over, but at least it didn't end on a duff note. The World's End mixes sci-fi and action, but never forgets its most important genre, comedy. It's always funny and never takes itself too seriously either. It's full of wonderful characters who you grow to love as the film progresses and actually feel sorry for when they kick the bucket. The World's End left me feeling incredibly happy and raring to see it again. It's a clever ending to a clever trilogy that I'm sure will be sorely misse

Quinoa1984 8 November 2014

The World's End is a film about the end of the world, a film about getting f***ed up, and most of all (and it's best at) an acidic satire (at times just a full-on drama) on growing up, being asses, and male camaraderie. Add to this robots-that-aren't-technically-robots-but-they-are, and an alien intelligence right out of Douglas Adams. And all the while it's a maturing for these writers, and an embrace of the 'Body Snatcher' formula to a wonderful extent.

For Edgar Wright, 'World's' is the conclusion to a very loose 'trilogy' started with Shaun of the Dead and continued with Hot Fuzz where he and star Simon Pegg write genre pieces (zombie flick, buddy cop scenario, sci-fi/horror invasion) and muck up the genres with something surprising and refreshing: honest-to-goodness characters, and some real tension, as Pegg plays a burn-out nearing 40 who rallies together his old group to finally make a go at a 12-bar pub crawl through a sleepy English town on a night where, oops, robots (I KNOW they're not robots but the ARE) are all abound and taking people over.

Wright and Pegg start off with just the character stuff, and it's arguable whether this may even be the best part of the movie, just seeing Pegg, playing an incessant but almost lovable jerk, and Wright actor Nick Frost playing – harrowingly, soulfully well, this isn't just Frost playing a variation on his usual fun-bumbling self he's projected in Wright's and other films – a wounded best-friend to Pegg's character, and it's all solid comic dialog and interaction, some very awkward and some just straightforward in the approach to hardcore drinking… so that when the science fiction s*** goes down, it goes down hard. Oh, and Martin Freeman. Fill in the blank on his awesomeness at playing the 'straight' man to a lot of this madness, and how he evolves...

the_bandersnatch 19 July 2013

Saw it at a midnight premier last night (free Cornettos were given out!) and myself and the rest of the audience were laughing throughout, having a thoroughly enjoyable time. I thought it was great, definitely on a par with Hot Fuzz, though - to me - not quite as good as Shaun of the Dead, which is fair enough as it is one of my all-time favourites. It is definitely a worthy close to the "trilogy" though, and it stands up well against the other two.

Amongst the highlights were seeing another former Bond actor, even if it was in a small role, along with various other regulars from the past films and Spaced - Tyres, Julia Deaking (Marsha), Bill Nighy's voice, Mark Heap, et al.

With a plot as ludicrous as this one the film relies on the strength of it's leads to succeed, and they pull it off admirably. I liked that there was a role reversal of Pegg and Frost's usual character dynamic, with Frost especially noteworthy in his performance. The lads have clearly come a long way over the years. Pegg is clearly having a whale of a time, and carries us the audience along with him. Having such a talented group of back-up actors in Marsan, Considine and Freeman helps massively too.

I feel they missed a trick by not using the line "You've got blue on you", though.

amesmonde 23 July 2013

Five friends return to their hometown to relive a pub crawl they never finished in their youth, however, they find their town has been invaded by interstellar beings 'Blanks' and the crawl could literary kill them.

Director/writer Edger Wright returns with this British set, sci-fi, beer-fuelled pub crawl yarn. Once again like Shaun of the Dead (2004) and Hot Fuzz (2007) what makes this so likable is the Simon Pegg and Nick Frost combination - the two have great chemistry, they're not only funny but warm too. There's plenty of camaraderie between the five friends mixed with the humorous restlessness of a school reunion.

The on location feel gives it an air of realism and captures a current British small town perfectly. Wright once again shows that he's at the top of his game, the action scenes are wonderfully executed and the effects are superb. The soundtrack oozes nostalgia and accompanying music score is fitting. Some jokes my go over some international viewer's heads, but the majority cater for all.

The first half of the film injects the most one liners and comedy output with the old gang rejoining and their return to the town, while the second is more action orientated when they go head to head with the invaders. The beings glowing eyes are reminiscent of Demons (1985) while the set up feels like Invasion of the Body Snatcher (1956/78) only with a twist and the closing confrontation plays out like an episode of Star Trek/Doctor Who followed by an outlandish flash-forward.

There's plenty of homage's thrown in just for fun, Pegg as washed up excitable alcoholic/drug intoxicated Gary King plays against the usual nice guy, here he's a man you love to hate, you really want him to succeed. Frost is kick-ass lovable. It's strength is that you care about the fate of the characters. The supporting cast are excellent including (surprisingly well cast) Rosamund Pike, Martin Freeman to name a few and a surprise cameo by an ex-Bond.

If Shaun was on the money, and Hot Fuzz was wordy, The World's End is somewhere in between. Highly recommended.

ollie1939-97-957994 19 July 2013

I didn't think this trilogy could get any better. However it somehow exceeded by expectations. With fantastic direction from Edgar Wright,smart writing from Wright and Simon Pegg and hilarious performances from Pegg, Nick Frost and everyone else the World's end is a great way to end the trilogy. The story focuses on a group of childhood friends who go back to their hometown in order to repeat a legendary pub crawl that ends with a pub known as the World's End. However they realize that their whole town has been taken over by robots and it's up to them to stop them from taking over the world. I will admit that my only criticism of the film is that it does start off a little slowly. The jokes felt a little stiff at times with their execution and most of the humor was coming from Pegg's character. However once the robots come in the movie does pick up the pace and lives up to Shaun of the Dead and Hot Fuzz The performances are very funny with Simon Pegg and Nick Frost actually switching roles. Pegg is more of the bumbling idiot whereas Frost is the straight man. The other performance are also good with Martin Freeman,Paddy Considine, Rosamund Pike and Eddie Marsan. I also loved the ending which has probably the best ending out of any of the Cornetto trilogy movies Overall the movie is incredibly funny despite having a slow start. It's a perfect mix of comedy and science fiction. I hope there's more to come from these very funny and talented guys.

bob the moo 13 January 2014

When you're the third film in an unofficial trilogy that includes Shaun of the Dead and Hot Fuzz then there is a lot of pressure on you to maintain that quality and unfortunately this film doesn't do that. There are good aspects to this comedy but not enough of it really comes together well enough to make it stand up to the previous two films. The plot here sees Gary King trying to reclaim happiness by convincing a group of his friends to revisit the "good old days" by going on a pub crawl they attempted when their lives lay ahead of them and they felt full of potential. However, when they do return to their home they feel like they have changed too much and should never have come back – but they are only half right, because they should not have come back, although it isn't them that has changed.

I like the ideas behind this film. On one hand we have a sci-fi movie which owes its debts to 1950's America while on the other we have a very British plot involving a pub crawl and someone who can't let go of the time in his life where he felt important and potent – a time which has left him behind and now appears a bit pathetic to still be trying to be the person he was rather than just moving on. This is a nice idea and it is one that occasionally goes somewhere but far too frequently it doesn't and it isn't consistently applied. It also doesn't help that Gary himself is a wholly unlikeable character; writing this type of person to work as someone we support is hard and the script never achieves it, it never consistently shows the cracks to the extent that you feel for him. Many of us will have a small part of Gary in us but the film never reaches it. It also doesn't help that the film seems to take his side at the end as well.

This gives us the sci-fi side and it does work better as an all out comedy sci-fi; the fight scenes are silly but yet well done and the action is quite engaging. That said it never feels grounded in the dreary British reality in the way that Hot Fuzz and Shaun managed to do so very well, so while it is decent, it never feels as clever or as special as the previous two films. It does have laughs and the film does have good elements so I don't think it is bad, just that it isn't really anywhere near as successful as it needed to be. The cast are mostly good but the material doesn't make the most of them. Pegg is the lead, has the toughest character and really can't make it work – not all his fault, but still. Nick Frost is better because his character is simpler and he is fun in the action sequences. Marsan, Considine and Freeman are better actors than the material they get given here – likewise the many familiar faces in support, from Brosnan down to Oram, although they do OK.

The World's End is not a bad film and if you liked the previous films then you'll be more likely to find things to enjoy here – but chances are you'll still feel a little disappointed as the aspects that made the previous films work so well don't really come together with this one.

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